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The Plague of Ashdod (1630) Nicholas Poussin

The artwork “The Plague of Ashdod” was created by the French painter Nicolas Poussin in 1630. It portrays the biblical narrative of a divine plague inflicted upon the people of Ashdod. 

This dramatic scene of divine punishment is described in the Old Testament. The Philistines are stricken with plague in their city of Ashdod because they have stolen the Ark of the Covenant from the Israelites and placed it in their pagan temple. You can see the decorated golden casket of the Ark between the pillars of the temple. People look around in horror at their dead and dying companions. One man leans over the corpses of his wife and child and covers his nose to avoid the stench. Rats scurry towards the bodies. The broken statue of their deity, Dagon, and the tumbled down stone column further convey the Philistines’ downfall.

In the artwork, Poussin vividly depicts the turmoil and suffering caused by the plague. The foreground is filled with the stricken inhabitants of Ashdod; their bodies are contorted in agony or limp in the stillness of death, illustrating the mercilessness of the affliction. The variety of postures and expressions captures the range of human suffering and chaos that accompanies such disaster. 

Amongst the afflicted, several figures stand out due to their dynamic gestures or central placement within the composition, drawing the viewer’s eye and emphasizing the emotional impact of the scene. In the background, classical architecture gives a sense of order and permanence that starkly contrasts with the disarray and despair of the figures. Poussin’s use of colour and light skilfully highlights the drama, with the dark and earthy tones of the suffering masses set against the lighter, more serene sky, which suggests divine presence or intervention.

Poussin’s use of color and light skillfully highlights the drama, with the dark and earthy tones of the suffering masses set against the lighter, more serene sky, which suggests divine presence or intervention. The overall effect is one of a carefully structured scene that conveys a narrative full of intensity and profound human drama, characteristic of the religious paintings of the period and the classical style Poussin is renowned for. Poussin began to paint The Plague of Ashdod while the bubonic plague was still raging throughout Italy though sparing Rome. He first called the painting The Miracle in the Temple of Dagon, but later it became known as The Plague of Ashdod.

The painting most importantly provides a view into how illness and diseases were feared at that time in the past and the fact that people had the knowledge that it was transmissible during that time period which was the 16th century.

𝕸𝖊𝖗𝖗𝖞 𝕮𝖍𝖗𝖎𝖘𝖙𝖒𝖆𝖘!🎄🎅𝕸𝖆𝖞 𝖆𝖑𝖑 𝖞𝖔𝖚𝖗 𝕮𝖍𝖗𝖎𝖘𝖙𝖒𝖆𝖘 𝖜𝖎𝖘𝖍𝖊𝖘 𝖈𝖔𝖒𝖊 𝖙𝖗𝖚𝖊!

🥳𝐉𝐮𝐬𝐭 𝐢𝐧𝐬𝐭𝐚𝐥𝐥𝐞𝐝 𝐚 𝐧𝐞𝐰 𝐩𝐥𝐚𝐧 𝐚𝐧𝐝 𝐜𝐡𝐚𝐧𝐠𝐞𝐝 𝐭𝐡𝐞 𝐬𝐢𝐭𝐞 𝐚𝐝𝐝𝐫𝐞𝐬𝐬! 𝐖𝐞’𝐯𝐞 𝐮𝐩𝐠𝐫𝐚𝐝𝐞𝐝 𝐛𝐚𝐛𝐲! 🎉 scrionl.blog ♡
🚨𝐃𝐮𝐞 𝐭𝐨 𝐬𝐨𝐦𝐞 𝐮𝐧𝐟𝐨𝐫𝐞𝐬𝐞𝐞𝐧 𝐜𝐢𝐫𝐜𝐮𝐦𝐬𝐭𝐚𝐧𝐜𝐞 𝐈 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐭𝐚𝐤𝐢𝐧𝐠 𝐚 𝐡𝐢𝐚𝐭𝐮𝐬 𝐟𝐨𝐫 𝐚 𝐩𝐞𝐫𝐢𝐨𝐝 𝐨𝐟 𝐨𝐧𝐞 𝐦𝐨𝐧𝐭𝐡!🚨
𝐖𝐞 𝐧𝐨𝐰 𝐡𝐚𝐯𝐞 𝐚𝐧 𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦 𝐚𝐜𝐜𝐨𝐮𝐧𝐭!📱
𝐀 𝐧𝐞𝐰 𝐬𝐞𝐜𝐭𝐢𝐨𝐧 ‘𝐂𝐨𝐧𝐭𝐚𝐜𝐭’ 𝐡𝐚𝐬 𝐛𝐞𝐞𝐧 𝐚𝐝𝐝𝐞𝐝! 📞

𝐓𝐡𝐞 ‘𝐋𝐢𝐧𝐤𝐬 & 𝐁𝐨𝐨𝐤𝐬 & 𝐘𝐨𝐮𝐓𝐮𝐛𝐞 & 𝐏𝐨𝐝𝐜𝐚𝐬𝐭𝐬’ 𝐬𝐞𝐜𝐭𝐢𝐨𝐧 𝐢𝐬 𝐧𝐨𝐰 𝐚𝐯𝐚𝐢𝐥𝐚𝐛𝐥𝐞!💙
𝐍𝐞𝐰 𝐰𝐚𝐥𝐥𝐩𝐚𝐩𝐞𝐫𝐬 𝐡𝐚𝐯𝐞 𝐛𝐞𝐞𝐧 𝐚𝐝𝐝𝐞𝐝 𝐭𝐨 𝐭𝐡𝐞 ‘𝐄𝐱𝐭𝐫𝐚𝐬’ 𝐬𝐞𝐜𝐭𝐢𝐨𝐧. 𝐃𝐨 𝐜𝐡𝐞𝐜𝐤 𝐢𝐭 𝐨𝐮𝐭!⚡️
𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭: 𝐌𝐨𝐫𝐞 𝐭𝐡𝐚𝐧 𝐚 𝟏𝟎𝟎 𝐭𝐡𝐚𝐧𝐤𝐬! 𝐖𝐞’𝐯𝐞 𝐫𝐞𝐚𝐜𝐡𝐞𝐝 𝟏𝟎𝟎 𝐩𝐨𝐬𝐭𝐬! 🍾 🍷
𝓒𝓮𝓵𝓮𝓫𝓻𝓪𝓽𝓲𝓷𝓰 𝓽𝓱𝓲𝓼 𝓶𝓮𝓭𝓲𝓬𝓪𝓵 𝔀𝓻𝓲𝓽𝓲𝓷𝓰 𝓫𝓵𝓸𝓰’𝓼 1-𝔂𝓮𝓪𝓻 𝓪𝓷𝓷𝓲𝓿𝓮𝓻𝓼𝓪𝓻𝔂!🍾🍷

What you need to know about the Nipah virus as a medical professional…

The Nipah virus was first identified in April 1999 on a pig farm in peninsular Malaysia when it caused an outbreak of neurological and respiratory disease. The outbreak resulted in 257 human cases, 105 human deaths, and the culling of 1 million pigs. Geographical Distribution & Emergence The emergence of NiV as a significant public…

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A Life-Changing Eye Injecting Gel

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Vaccines are the single greatest invention known to man. They are the most primitive for the most of the ‘Health for All’ practice. For God’s sake, the great plagues and outbreaks of the past centuries would’ve been rid off, if they have what we have now!   Politics are dirty and it’s dirty for a…

  • [Exclusive] The Woman who loved to defy

    by

    Nivea Vaz
    2–4 minutes

    A daring woman who embraced progression of thoughts and free will, was born in the city of Oswego of New York, Mary Edwards Walker was her name. Born under the constellation of the archer, she would go on to do the unthinkable. She was raised by parents who taught her to question life and its teachings. They were encouraged to be ‘free thinkers.’ 

    She was one out five siblings and was the youngest. Her father was a doctor and this inspired her to take up one of the toughest professions of healing. The 18th century was a brutal time to be a woman and a danger period for mankind. This valuable lesson taught by her parents became a revolutionary tool to drive even when most people born in this time would choose to let go! Her unwavering decision to become a doctor was remarkable as she was the second woman to graduate in an undergraduate medicine degree after Elizabeth Blackwell. She married fellow medical student Albert Miller who also studied in the same medical school as her which was Syracuse Medical College. After marriage, unlike most women who conformed to the traditions of that time, Mary would be different. She refused to obey her husband as she must’ve found it fishy, she preferred to keep her last name, and would rather wear a short skirt and trousers. She was also picked on for her rebellious fashion sense in the 1860s, which was initially trousers with suspenders that were worn under a knee length dress and would later limit herself to just jackets and trousers. She married Miller on Nov 16, 1855 and would open a practice together that would end up being unsuccessful all because the thought of woman doctor was resentful. Society was not ready for people like Mary. She did not have children from her first marriage and would later on divorce him after finding about his infidelity. Another one of her best successes in her career was her dream of being a surgeon in the Civil War of 1861 this role was denied to her and was an assistant surgeon instead in the year 1863. She became a prisoner of war trade when she was captured by the Confederate troops. She had spent her life as a doctor volunteering at a woman’s prison and an orphan asylum during the rest of the war.

    Another law she solely believed in was women’s constitutional right to vote and equality of freedom of speech and expression in a male-dominated America. And in 1912 and 1914 she did just that, she stood in front of the US House of Representatives to bring out the true meaning of suffrage for women to be of equity. She became distant when she realised that as an educated woman it was her who fought for a change in the constitution, an amendment whereas others would just simply argue. 

    She was treated poorly and more often than not as an oddity by on-lookers who refused accept to change was a form of freedom, clothes to her were an expression of that! On November 11th, 1865, Dr Mary Edwards Walker was awarded the US Congressional Medal of Honour! In 2024, she is one of the five women who were selected for the US Mint 2024 coinage program. She’s a gift to women who dream of doing the impossible!

    A woman’s heroine!

    Rating: 5 out of 5.

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