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The Plague of Ashdod (1630) Nicholas Poussin

The artwork “The Plague of Ashdod” was created by the French painter Nicolas Poussin in 1630. It portrays the biblical narrative of a divine plague inflicted upon the people of Ashdod. 

This dramatic scene of divine punishment is described in the Old Testament. The Philistines are stricken with plague in their city of Ashdod because they have stolen the Ark of the Covenant from the Israelites and placed it in their pagan temple. You can see the decorated golden casket of the Ark between the pillars of the temple. People look around in horror at their dead and dying companions. One man leans over the corpses of his wife and child and covers his nose to avoid the stench. Rats scurry towards the bodies. The broken statue of their deity, Dagon, and the tumbled down stone column further convey the Philistines’ downfall.

In the artwork, Poussin vividly depicts the turmoil and suffering caused by the plague. The foreground is filled with the stricken inhabitants of Ashdod; their bodies are contorted in agony or limp in the stillness of death, illustrating the mercilessness of the affliction. The variety of postures and expressions captures the range of human suffering and chaos that accompanies such disaster. 

Amongst the afflicted, several figures stand out due to their dynamic gestures or central placement within the composition, drawing the viewer’s eye and emphasizing the emotional impact of the scene. In the background, classical architecture gives a sense of order and permanence that starkly contrasts with the disarray and despair of the figures. Poussin’s use of colour and light skilfully highlights the drama, with the dark and earthy tones of the suffering masses set against the lighter, more serene sky, which suggests divine presence or intervention.

Poussin’s use of color and light skillfully highlights the drama, with the dark and earthy tones of the suffering masses set against the lighter, more serene sky, which suggests divine presence or intervention. The overall effect is one of a carefully structured scene that conveys a narrative full of intensity and profound human drama, characteristic of the religious paintings of the period and the classical style Poussin is renowned for. Poussin began to paint The Plague of Ashdod while the bubonic plague was still raging throughout Italy though sparing Rome. He first called the painting The Miracle in the Temple of Dagon, but later it became known as The Plague of Ashdod.

The painting most importantly provides a view into how illness and diseases were feared at that time in the past and the fact that people had the knowledge that it was transmissible during that time period which was the 16th century.

𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭: 𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐧𝐠 𝟐𝟎𝟎 𝐩𝐨𝐬𝐭𝐬 𝐦𝐢𝐥𝐞𝐬𝐭𝐨𝐧𝐞 𝐫𝐞𝐚𝐜𝐡! 𝐈 𝐜𝐚𝐧’𝐭 𝐭𝐡𝐚𝐧𝐤 𝐞𝐚𝐜𝐡 𝐨𝐧𝐞 𝐨𝐟 𝐲𝐨𝐮 𝐞𝐧𝐨𝐮𝐠𝐡! 𝐖𝐞’𝐫𝐞 𝐚𝐭 𝐚 𝟓𝐤 𝐬𝐭𝐫𝐞𝐚𝐤 𝐚𝐬 𝐰𝐞𝐥𝐥! ♥️🍾🍷#scriveners
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🚨𝐃𝐮𝐞 𝐭𝐨 𝐬𝐨𝐦𝐞 𝐮𝐧𝐟𝐨𝐫𝐞𝐬𝐞𝐞𝐧 𝐜𝐢𝐫𝐜𝐮𝐦𝐬𝐭𝐚𝐧𝐜𝐞 𝐈 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐭𝐚𝐤𝐢𝐧𝐠 𝐚 𝐡𝐢𝐚𝐭𝐮𝐬 𝐟𝐨𝐫 𝐚 𝐩𝐞𝐫𝐢𝐨𝐝 𝐨𝐟 𝐨𝐧𝐞 𝐦𝐨𝐧𝐭𝐡!🚨
𝐖𝐞 𝐧𝐨𝐰 𝐡𝐚𝐯𝐞 𝐚𝐧 𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦 𝐚𝐜𝐜𝐨𝐮𝐧𝐭!📱
𝐀 𝐧𝐞𝐰 𝐬𝐞𝐜𝐭𝐢𝐨𝐧 ‘𝐂𝐨𝐧𝐭𝐚𝐜𝐭’ 𝐡𝐚𝐬 𝐛𝐞𝐞𝐧 𝐚𝐝𝐝𝐞𝐝! 📞

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𝐍𝐞𝐰 𝐰𝐚𝐥𝐥𝐩𝐚𝐩𝐞𝐫𝐬 𝐡𝐚𝐯𝐞 𝐛𝐞𝐞𝐧 𝐚𝐝𝐝𝐞𝐝 𝐭𝐨 𝐭𝐡𝐞 ‘𝐄𝐱𝐭𝐫𝐚𝐬’ 𝐬𝐞𝐜𝐭𝐢𝐨𝐧. 𝐃𝐨 𝐜𝐡𝐞𝐜𝐤 𝐢𝐭 𝐨𝐮𝐭!⚡️
𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭: 𝐌𝐨𝐫𝐞 𝐭𝐡𝐚𝐧 𝐚 𝟏𝟎𝟎 𝐭𝐡𝐚𝐧𝐤𝐬! 𝐖𝐞’𝐯𝐞 𝐫𝐞𝐚𝐜𝐡𝐞𝐝 𝟏𝟎𝟎 𝐩𝐨𝐬𝐭𝐬! 🍾 🍷
𝓒𝓮𝓵𝓮𝓫𝓻𝓪𝓽𝓲𝓷𝓰 𝓽𝓱𝓲𝓼 𝓶𝓮𝓭𝓲𝓬𝓪𝓵 𝔀𝓻𝓲𝓽𝓲𝓷𝓰 𝓫𝓵𝓸𝓰’𝓼 1-𝔂𝓮𝓪𝓻 𝓪𝓷𝓷𝓲𝓿𝓮𝓻𝓼𝓪𝓻𝔂!🍾🍷

Exploring the Meaning of Medical Anthropology, Conducting Research on Indigenous Shamans of Peru, and Notes on the Cholera Epidemic Part 3

Some treat their curing work as a divine calling; others seem more like pragmatic businessmen. Yet, there are striking similarities in the paths that led these exceptional individuals to the occupation of curandero, and there is an underlying curing philosophy that unites them. Our primary objective is ethnographic, to record in detail the symbolic system…

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Evolutionary and Ecological Perspectives on a Cholera Epidemic Medical anthropology theory is a blend of social science, epidemiological, and biological perspectives on disease. The most effective way to show how these theoretical threads come together in medical anthropology is to introduce them separately. Theories operate at an abstract level. They reduce the complexity of a…

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North coast of Peru, 1980: It’s three in the morning, the ocean breeze is wet and cold. It is not clear if my present nausea is attributable to the mescaline-bearing San Pedro (Trichocereus pachanoi) brew with which I began the evening or to the vile black-leaf tobacco sludge I have been asked to snort repeatedly.…

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Being a medical student and having ALS is a toxic concoction of health longevity. Yentli Soto Albrecht is a researcher on ALS at Penn Medicine alongside her battles with the neuro-degenerative disease. She was genetically tested for having the disease and lost her 66 year old father to the same disease in 2024. Her goal…

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The Human Organ Atlas is made possible by funding from: The European Synchrotron Radiation Facility (ESRF), The Chan Zuckerberg Initiative, The German Registry of COVID-19 Autopsies (DeRegCOVID), supported by the German Federal Ministry of Health, The UK Medical Research Council (MRC), The Royal Academy of Engineering, The Wellcome Trust. The Human Organ Atlas (HOA), an…

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This is Doctor Kevin Adewale, he wants you to know that he’s not an all-bs cardiac surgeon, he’s probably from Kenya but he could be Sudanese or Jamaican whatever your eyes want you to believe in… hmm he’s also got a strong following, a pretty fancy YouTuber thing he’s got going on. He’s yet to…

  • Killer Drug

    by

    Nivea Vaz
    2–4 minutes

     

    Zantac was once upon a time a reliable anti-acid tablet sold for 40 years and consumed over-the-counter lost the trust of its consumers.

     

    Ranitidine was an antacid tablet developed by Glaxo/GlaxoSmithKline and it was FDA-approved in 1983. Sales peaked at 1 billion dollars. At the time, it was a prescribe-only drug. In 1996, it attained an over-the-counter status, making it more widely available. The expiration date of this patency drug with the Glaxo company gave other pharmaceuticals an opportunity to manufacture their own versions of the same intended purpose drug. Unfortunately, for them, Zantac was a popular household name, making its profits commercially successful. Boehringer in 2006 sold the rights of this drug to Sanofi roughly from 2007 to 2016. Profits were made and people were cured of GERD, it was regarded as a pharmaceutical success story by many. Unbeknownst to them, this would take a dark turn for the worst. gsk hid the fact that the tablet had contained trace amounts of NMDA known to cause cancer in humans. This poses a risk and threat giving rise to health concerns. This information was withheld from the US authorities for 37 years. The shock would hit hard later when a pharmacy company realised that there was 3 million nanograms of NMDA as opposed to the daily intake of 96 nanograms imposed by the FDA. The company valisure would file a complaint to the FDA about this. This company however thought that the heat was to blame when the reality was otherwise.

     

    They came to the findings that heat can increase the amount of NMDA content stored in the Zantac. Another pharmaceutical company also filed a report against the medication. FDA promptly decides that the drug Zantac should no longer be sold on the pharmacy shelves. They were removed off the shelves for the greater safety of the public. Users of Zantac ended up with cancers of various organs and parts of the body. The victims would come together suing the company for a breach in trust. It got so bad that health alerts were released by news stations informing the public to avoid its consumption. But the company wouldn’t go down without a fight, gsk, sanofi, Pfizer, and Boehringer argued on the grounds that the experiments lacked methodologies, these lacked the documents to show how the experiments were conducted and that there was a lack of substance as to how they had arrived at such conclusions. US District Judge Robin Rosenberg ruled that the companies involved weren’t to blame. The victims continued to remain resilient, they would bring up their cases to the courts of law. gsk would dodge them.

     

    All this changed in July 2024 when a Delaware judge ruled that the 77,000 complaints were relevant. The companies still continued to play the not credible enough response and stated that they would make an appeal. However, they would lose this time and the case made it to court. The current manufacturer of the drug, Sanofi would be under a lot of pressure. Saonfi ruled on behalf of the victims and Sanofi had to pay up to 100 million dollars to settle the case with each victim. Pfizer is paying around 250 million dollars to settle their end of the lawsuits. Inspite of all the bad press, all these four giant pharmaceutical companies continue to deny the harm their drug has caused.

    Zantac and its notorious past.

      

     

     

    Credit: Logically Answered. (Youtube )

    Rating: 5 out of 5.

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    𝙷𝚘𝚠 𝚖𝚎𝚍𝚒𝚌𝚒𝚗𝚎 𝚊𝚗𝚍 𝚑𝚎𝚊𝚕𝚝𝚑𝚌𝚊𝚛𝚎 𝚊𝚏𝚏𝚎𝚌𝚝 𝚞𝚜 𝚒𝚗 𝚝𝚑𝚎 𝚜𝚖𝚊𝚕𝚕𝚎𝚜𝚝 𝚘𝚏 𝚠𝚊𝚢𝚜 𝚕𝚎𝚊𝚍𝚒𝚗𝚐 𝚝𝚘 𝚋𝚒𝚐𝚐𝚎𝚛 𝚒𝚖𝚙𝚊𝚌𝚝𝚜 𝚊𝚗𝚍 𝚕𝚒𝚏𝚎-𝚌𝚑𝚊𝚗𝚐𝚒𝚗𝚐 𝚌𝚘𝚗𝚜𝚎𝚚𝚞𝚎𝚗𝚌𝚎𝚜! 𝚄𝚕𝚝𝚒𝚖𝚊𝚝𝚎𝚕𝚢, 𝚌𝚑𝚊𝚗𝚐𝚒𝚗𝚐 𝚠𝚑𝚊𝚝 𝚠𝚎 𝚌𝚊𝚕𝚕 ‘𝚑𝚎𝚊𝚕𝚝𝚑𝚌𝚊𝚛𝚎.’

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